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The pair of releases released to date by the group Ashnymph defy easy classification: the band's own tag of their music as “subconscioussion” doesn’t offer many clues. Debut Saltspreader combined a heavy mechanical drumming – guitarist Will Wiffen has occasionally been spotted on stage wearing a T-shirt that features the symbol of industrial metal pioneers Godflesh – with retro-style synths and a guitar line that vaguely recalls the enduring garage rock anthem I Wanna Be Your Dog, before melting into a wall of disquieting noise. The desired impact, the band has indicated, was to suggest road trips, “the grinding circulation of vehicles all day long over huge distances … nighttime orange glows”.

The subsequent track, Mr Invisible, falls between club music and left-field alt-rock. On one hand, the cut's tempo, layers of hypnotic electronics, and lyrics that appear either trippily blurred or hypnotically looped in a way that recalls Dubnobasswithmyheadman-era Underworld all indicate the dance space. Alternatively, its powerful concert-like energy, edge-of-chaos quality and fuzz – “achieving a crunchy texture is a personal mission,” Wiffen has said – distinguish it as very much the work of a band rather than a solitary home producer. They've gigged around the self-made music community of south London for less than a year, “any spot with loud speakers”.

But the two tracks are vibrant and distinct – from one another and contemporary releases – to spark curiosity about what Ashnymph might do next. No matter what it is, on the evidence of Saltspreader and Mr Invisible, it’s unlikely to be boring.

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